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Star Sign: Aquarius. Bono assumed this alter ego for the band's subsequent public appearances and live performances on the Zoo TV Tour.
In April, tapes from the earlier Berlin sessions were stolen after the band reportedly left them in a hotel room, and they were subsequently leaked before the album was finished.
The release is considered the most famous bootleg of U2 material. Staffing schedules led to the band having a surplus of engineers at one point, and as a result, they split recording between Elsinore and the Edge's home studio to increase productivity.
The focus on capturing the band's material and encouraging the best performances meant that little attention was paid to combating audio spill. During the Dublin sessions, Eno was sent tapes of the previous two months' work, which he called a "total disaster".
Joining U2 in the studio, he stripped away what he thought to be excessive overdubbing. The group believes his intervention saved the album.
You're so accustomed to it being there that you compensate and remake it in your mind. The break gave them a clearer perspective and added decisiveness.
The following day, the Edge travelled to Los Angeles with the album's tapes for mastering. U2 is credited with composing the music for all of Achtung Baby ' s tracks, [38] despite periods of separated songwriting.
They wrote the music primarily through jam sessions , a common practice for them. For the album, the Edge often eschewed his normally minimalistic approach to guitar playing and his trademark chiming, delay -heavy sound, in favour of a style that incorporated more solos , dissonance , and feedback.
The rhythm section is more pronounced in the mix on Achtung Baby , [24] and hip hop-inspired electronic dance beats are featured on many of the album's tracks, most prominently " The Fly ".
Sly and The Family Stone meets Madchester baggy. Whereas Bono exhibited a full-throated vocal delivery on the group's previous releases, for Achtung Baby he extended his range into a lower register and used what Fast described as "breathy and subdued colors".
This octave differentiation was sometimes done with vocals simultaneously, while at other times, it distinguishes voices between the verses and choruses.
According to Fast, the technique introduces "a contrasting lyrical idea and vocal character to deliver it", leading to both literal and ironic interpretations of Bono's vocals.
As is often the case on U2 albums, Bono is credited as the sole lyricist. The pain not only focused him on the record and led him to advocate more personal themes, but it also affected Bono's lyrical contributions.
Of the album's personal nature, Bono said that there were a lot of "blood and guts" in it. U2 biographer Bill Flanagan credits Bono's habit of keeping his lyrics "in flux until the last minute" with providing a narrative coherence to the album.
Despite the record's darker themes, many lyrics are more flippant and sexual than those from the band's previous work.
Religious imagery is present throughout the record. We just did them to show how extreme we could go and then everyone came back to levels that they were happy with.
But if we hadn't gone to these extremes it may not have been the cover it is now. An initial photo shoot with the band's long-time photographer Anton Corbijn was done near U2's Berlin hotel in late They recommissioned Corbijn for an additional two-week photo shoot in Tenerife in February , [36] for which they dressed up and mingled with the crowds of the annual Carnival of Santa Cruz de Tenerife , presenting a more playful side of themselves.
Several photographs were considered as candidates for a single cover image, including shots of: a cow on an Irish farm in County Kildare ; the nude Clayton; and the band driving a Trabant , an East German automobile they became fond of as a symbol for a changing Europe.
These vehicles were later incorporated into the Zoo TV Tour set design as part of the lighting system. On the US compact disc and cassette sleeves, Clayton's genitals are censored with a black "X" or a four-leaf clover , [] while vinyl editions feature the photo uncensored.
The babyface image was later adopted as a logo for Zoo TV Tour memorabilia and was incorporated into the Zooropa album cover.
We call it Achtung Baby , grinning up our sleeves in all the photography. But it's probably the heaviest record we've ever made It tells you a lot about packaging, because the press would have killed us if we'd called it anything else.
U2 considered several other titles for the album, including Man in contrast to the group's debut, Boy , [] 69 , Zoo Station , and Adam , the latter of which would have been paired with the nude photo of Clayton.
As early as December , the music press reported that U2 would be recording a dance-oriented album and that it would be released in mid Island Records objected to the release, believing consumers would confuse the EP for a new U2 record.
Island successfully sued for copyright infringement but were criticised in the music press, as were U2, although they were not involved in the litigation.
Island Records and U2 refused to make advance copies of the album available to the press until just a few days before the release date, preferring that fans listen to the record before reading reviews.
The decision came amid rumours of tensions within the band, and journalist David Browne compared it to the Hollywood practice of withholding pre-release copies of films from reviewers whenever they receive poor word-of-mouth press.
Achtung Baby was U2's first album in three years and their first comprising entirely new material in over four years.
Compared to the large hype of other year-end releases, the marketing for Achtung Baby was relatively understated, as Island general manager Andy Allen explained: "U2 will not come out with that kind of fanfare in terms of outside media.
We feel the fan base itself creates that kind of excitement. Three additional commercial singles were released in Achtung Baby received acclaim from critics.
The songs focus on personal relationships, not on saving the world. He said the album is a difficult one for listeners because of the dark, introspective nature of the songs, which contrasts with the group's uplifting songs of the past.
He commended the band's musical transformation, saying, "U2 proves much more adept at the dance-trance thing than the Happy Roses or Stone Carpets or other indistinguishable haircut bands".
The review concluded, "Stripped-down and defying its old formulas, U2 has given itself a fighting chance for the s.
And best. He praised the group for improving their songwriting and incorporating "black humour" into darker lyrical themes. He called the album "quite an achievement" in following up a successful record, responding to emerging musical influences, and expanding the band's sound while still pleasing existing fans.
He praised Lanois' production and said that due to the Edge's guitar playing, "U2 sounds punkier than it has since its debut, Boy ". Kot concluded his review by calling the album "a magnificent search for transcendence made all the more moving for its flaws".
He wrote, "Ostensibly decadent, sensual and dark, it is a record of, and for, these times. However, it said that too many "downbeat moments where songs seem to be going nowhere" prevented it from being a "truly wondrous affair".
The success of Achtung Baby and the Zoo TV Tour re-established U2 as one of the most popular and critically acclaimed musical acts in the world.
Like Achtung Baby , the tour was intended to deviate from the band's past. In contrast to the austere stage setups of previous U2 tours, Zoo TV was an elaborately staged multimedia event.
Live satellite link-ups, channel surfing , crank calls , and video confessionals were incorporated into the shows. Whereas the group were known for their earnest live act in the s, their Zoo TV performances were intentionally ironic and self-deprecating; [61] on stage, Bono portrayed several characters he conceived, including "The Fly", "Mirror Ball Man", and "MacPhisto".
The majority of the album's songs were played at each show, and the set lists began with up to eight consecutive Achtung Baby songs as a further sign that they were no longer the U2 of the s.
It was inspired by Zoo TV and expanded on its themes of technology and media oversaturation. Zooropa , released in , was a further departure for the band, incorporating additional dance music influences and electronic effects into their sound.
The record is highly regarded among the members of U2. Mullen said: "I thought it was a great record. I was very proud of it.
Its success was by no means preordained. It was a real break from what we had done before and we didn't know if our fans would like it or not.
If it hadn't been a great record by our standards, the existence of the band would have been threatened. Bill Flanagan pointed out that many of U2's s contemporaries struggled commercially with albums released after the turn of the decade.
He argued that U2, however, were able to take advantage of the alternative rock movement and ensure a successful future by "set[ting] themselves up as the first of the new groups rather than the last of the old".
He concluded that few artists at that stage in their career could have "recorded an album as adventurous or fulfilled their ambitions quite as successfully as U2 [did]".
Achtung Baby has been acclaimed by writers and music critics as one of the greatest albums of all time; according to Acclaimed Music , it is the 80th-highest-ranked record on critics' lists.
Struggling to simultaneously embrace and blow up the world, they were never more inspirational. The 20th anniversary of Achtung Baby was marked by several releases in At the band's request, a documentary film about the album entitled From the Sky Down was produced.
For the documentary, the band were filmed during a return visit to Hansa Studios and during rehearsals for the Glastonbury Festival On 31 October , Achtung Baby was reissued in five formats.
In addition to a single-disc release of the album, a deluxe edition included a bonus disc of remixes and B-sides from the album's five singles, and a vinyl edition included the album on two LPs with two additional LPs of remixes.
The "Über Deluxe" edition also contains a double-vinyl copy of the album, five 7-inch vinyl singles, a copy of U2's fan club magazine Propaganda , and a replica of Bono's "Fly" sunglasses.
Continuing a campaign by U2 to reissue all of their records on vinyl, Achtung Baby was re-released on two gram vinyl records on 27 July U2 [38].
Additional performers [38]. From Wikipedia, the free encyclopedia. It was good if a song took you on a journey or made you think your hifi was broken, bad if it reminded you of recording studios or U2.
Sly Stone , T. And Berlin The Berlin of the Thirties—decadent, sexual and dark—resonating against the Berlin of the Nineties—reborn, chaotic and optimistic We were all playing together in the big recording room, a huge, eerie ballroom full of ghosts of the war, and everything fell into place.
It was a reassuring moment, when everyone finally went, 'oh great, this album has started. It hits straight into the heart. So we found ourselves searching for other sounds that had more life and more freshness.
The introduction to " Zoo Station " was meant to make listeners think "This record is broken" or "This can't be the new U2 record". The lyrics describe a bitter conversation between two people.
Main article: Zoo TV Tour. Even as the 21st century has seen U2 return to stadium-friendly rock postures, there are elements in the group's music Bono's falsetto, the casual flirtation with danceable grooves, the quartet's continued ability to take itself less than seriously when necessary that are still derived from those heady days in a Berlin studio.
The biggest band in the world wouldn't hold that title today if it hadn't taken one hell of a chance at the exact right time with a record that proved more than strong enough to warrant that gamble.
Its official name is Elsinore. U2 World Service. Rolling Stone. Archived from the original on 20 April Retrieved 26 April The Boston Globe. Retrieved 2 July Chicago Sun-Times.
Spring—Summer Sound on Sound. Archived from the original on 5 July Retrieved 8 January From the Sky Down film. BBC Worldwide Canada.
Retrieved 9 November Island Records. Rocky Mountain News. The Observer. Retrieved 30 January The New Zealand Herald. Retrieved 15 October Retrieved 13 October Toronto Star.
Retrieved 15 August The St. Petersburg Times. Weekend, p. Archived from the original on 12 December Orlando Sentinel.
Calendar, p. Entertainment Weekly. Archived from the original on 20 February Retrieved 6 March Austin Chronicle. Retrieved 7 February
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