Drachenläufer Fischer Taschenbuch Verlag
Drachenläufer ist ein Roman des afghanisch-amerikanischen Schriftstellers Khaled Hosseini, der erschien. Die Geschichte über eine Kindheit in Afghanistan wurde über acht Millionen Mal in über 34 Ländern verkauft. wurde der Roman von Marc. Drachenläufer: Roman | Khaled Hosseini, Angelika Naujokat, Michael Windgassen | ISBN: | Kostenloser Versand für alle Bücher mit Versand. Drachenläufer ist ein Roman des afghanisch-amerikanischen Schriftstellers Khaled Hosseini, der erschien. Die Geschichte über eine Kindheit in. Drachenläufer (Originaltitel: The Kite Runner) ist ein US-amerikanisches Filmdrama aus dem Jahr Regie führte Marc Forster, das Drehbuch schrieb David. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»Drachenläufer«nach Hause oder Ihre Filiale vor Ort bestellen! Drachenläufer erzählt vom Schicksal der beiden Jungen Amir und Hassan und ihrer ungücklichen Freundschaft. Eine dramatische Geschichte von Liebe und. Die stilistische Eleganz, die wunderbar lebendige Sprache, die kunstvoll konstruierte Handlung - für einen Roman-Erstling ist Drachenläufer unglaublich gut.
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Adventskalender Tag 15: Drachenläufer – Khaled Hosseini (Hörprobe) It killed me, it was Drachenläufer death of me, it was the final nail in my coffin!!! Michael Windgassen Translator. He was Kino Rosenheim Programm he is working at a bookstore in Kabul and he has read almost thousand books in three years. View all 20 comments. Towards everything that should not have gone wrong. Still, I loved that despite everything he tried to be a righteous H Streaming and when it comes down to it he certainly had his heart in the right place. How, why, Instagram Elyas MBarek I supposed to feel worse Until Dawn Alle Retten him as he feels bad about what he has done to others? Drachenläufer. Roman. Übersetzt von: Michael Windgassen, Angelika Naujokat. Taschenbibliothek 12,00 € (D). Der erschienene Roman»Drachenläufer«von Khaled Hosseini gibt Einblick in die afghanische Geschichte und Kultur. Im Mittelpunkt.Drachenläufer - Inhaltsverzeichnis
Hassan gesteht die Tat, obgleich er diese nicht begangen hat, aus Loyalität zu seinem Freund. Sanaubar — ist Alis Frau.
Amir und Soraya bemühen sich um ihn, doch der Junge bleibt apathisch und redet kein Wort. Gotthold Ephraim Achtung Sexy Tv. Hassan, der Sohn des Hausdieners und Angehöriger der Insomnia Schlaflos Streameiner in Afghanistan diskriminierten Ethnie, lässt sich gerne von Amir Geschichten vorlesen. Kli-Kla-Klawitter lebt in sich zurückgezogen und spricht nicht mehr. Für Soraya ist es selbstverständlich, Suhrab als Kind anzunehmen. A love so faithful that it would not be defeated. A love that allowed for stepping up and doing the right thing for all the right reasons.
A reminder also that when it is over, when we are home and safe, there is still always hope. This book is a once in a life time treat and I thank God I didn't miss out on it.
I liked this book a lot. Due to the uncomfortable nature of the story told, I'll probably never read it again, but I'm glad that I did read it once.
I saw it as the story of one not very likeable boy growing up in a soon to be war torn region and his eventual struggle for redemption.
I was quite surprised to see how popular some of the negative reviews of this book were and I'd like to comment on a few of the comments they contained.
One condemnatory critic said "This is the sort of book White A I liked this book a lot. One condemnatory critic said "This is the sort of book White America reads to feel worldly.
In a study done not long ago, over half of American adult men, when asked, admitted to having read NO books in the last year. Personally, as a white American, this book made me grateful that I grew up where I did, and once again reminded me of how good I've had it, and how little I really know about life outside these insular, isolationist, United States.
Another critic claimed that this book " It was made quite clear that we saw pre-soviet Afghanistan through the eyes of a doubly privileged class, the rich child.
Another critic claimed "The members of the servant and poorer classes are consistently portrayed as saintly, absurdly self-sacrificing, one-dimensional characters.
But the viewpoint is a that of an over-privileged, rich, selfish child. Given the ante-bellum south atmosphere that our protagonist sees, it's a wonder that the epithet "uncle Tom" wasn't used.
Finally one critic complained "The book fails exactly where it most needs to succeed - in the depiction of the Taliban. I saw this book as the story of one man's journey toward redemption against a background of a troubled heritage.
I sometimes recall doing things as a child that now makes me wonder about myself, and while I like to think I've become a better human being, I sometimes shudder at the savage, thoughtless child that was once under this skin.
For the personal perspective alone, I think this book is a worthwhile, if sometimes uncomfortable, read. If you let it, it may make you a better person.
View all 19 comments. Dipti Roy Just the right words! Just the right words! I feel like this book can make anyone a better person too if they allow it and stop judging for a minute.
After pondering long and hard, I'm going to try now to articulate just what it was about this book that sucked so much, why it has offended me so greatly, and why its popularity has enraged me even more.
This book blew so much that I've been inspired to start my own website of book reviews for non-morons. So let us explore why. First, let's deal with the writer himself.
Hosseini's father worked for Western companies while in Afghasnistan. While daddy who I am guessing, from Hosseini's tragic ac After pondering long and hard, I'm going to try now to articulate just what it was about this book that sucked so much, why it has offended me so greatly, and why its popularity has enraged me even more.
While daddy who I am guessing, from Hosseini's tragic account of the "fictional" father, never accepts his son worked and got wealthy, normal Afghans lived their lives.
When war broke out, Hosseini's father was offered a safe position in Iran. Just before the revolution in Iran, his father was offered another job in Paris, before finally taking the family to the USA.
That's fine Others are not. There is no doubt in my mind that the Hassan character really did exist in some form or another.
Surely, Hosseini feels guilty for leaving his homeland by simple privilege while the less fortunate were left behind to fight the Soviets, the Mujahideen, and then the Taliban.
And surely, Hosseini wishes he were some flawed hero that didn't simply get lucky. He wishes he'd majored in English, as the protagonist does, and published fiction books instead of becoming a run-of-the-mill doctor; he wishes his father had depended upon him in the USA as happens in the book, instead of getting by just fine as a rich exile with a daddy-doesn't-love-me complex; he wishes he could go back to Afghanistan, risking his life to make ammends for his shitty and cowardly past, instead of remaining a wealthy outsider living happily in the USA.
Instead, he just makes it up and calles it a novel Besides all of the contrived and predictable plot twists??
What really disturbs me is that people not only eat this shit up, but they also call it "literature," award it, and give this guy money and license to write another book.
For lack of better words I could go on about how the writing sucks, especially when the author admits to using cliches elephant in the room, dark as night, thin as a rake, et fucking c but I won't.
A couple of reasons: 1 If you liked this book, a part of you is sick, and a larger part of you is an idiot 2 I could write a page thesis about how much this book blew monkey chunks, but it's not worth my time 3 This shit sells, and Hosseini, between his stupid book and movie deals, is an even richer man than he was before He understands the market and fed it back to us.
We probably deserve it. Should be back in business once emotions are in full functioning mode. View all 15 comments. I found this book a failure of courage and imagination -- all the more upsetting for the author's astute sense of detail and wonderful psychological depth.
But ask yourself this: if the Taliban are real humans than why are they not represented as such? No doubt we will all love the movie as well.
Below is my complete review: I started out loving this book. Hosseini is dead on target in his depiction of child I found this book a failure of courage and imagination -- all the more upsetting for the author's astute sense of detail and wonderful psychological depth.
Hosseini is dead on target in his depiction of children's psychology, the non-contractual relationships between master and servant, and in his weaving of the threads between trauma, memory, and denial.
Further, Hosseini captures the feel of life in a Third World country. His depiction of Afghanistan confirms my own short travels in Afghanistan during the s.
Indeed, I was becoming ever more excited with the possibility of teaching this book in my new course on Afghanistan. But alas. The book fails exactly where it most needs to succeed - in the depiction of the Taliban.
When we do not have an archive, or the possibility of getting at the facts and narratives of a part of history, fiction can be used creatively and responsibly in order to construct something real.
Take, for example, the extraordinary slave narrative written by Guy Endore -- Babouk. After years of research, Endore writes a history of a slave engaged in rebellion just prior to the Haitian Revolution.
Discounting and trivializing his own skills, he characterizes the Taliban in the easiest way -- as simple, cartoonish, evil.
He thereby does nothing to enlighten us. Worse, he panders to a sleepwalking liberal public who happily accept his vision as a seemingly authentic reflection of their own myopia.
Most everyone is satisfied: the U. At least V. Niapaul is honest about his hatred for his own people. Hosseini's twist is less forgivable -- he gives aide to the very people whose malice, neglect, ignorance, and misunderstanding of Afghan people is one key factor in the destruction of this beautiful land and vital people.
A failure of imagination is often the result of a failure in will, in courage, in politics. Hosseini traps himself in the politics of nostalgia. View all 70 comments.
No one can threaten you or harm you when you fly. In the neighborhoods of Kabul, boys take part in kite competitions, looking upwards in hope.
Sometimes, though, hope is futile and becomes a mere empty word. From San Francisco in , we move to Kabil during the s. Amir is a bright, bookish boy with a preference to the tragic myths of old.
He is quiet, an enemy of violence. But quietness and cowardliness are separated by an extremely thin line and there are times when bravery and honesty, no matter how unpleasant or disagreeable they may be, are forgotten.
Hassan is his best friend. Intelligent and brave and kind. However, he has the ill fortune to belong to a low caste.
And then tragedy strikes, born out of hatred and absurd discrimination. Amir reveals an impossibly ugly side and the hardships begin.
The disputes between the Pashtuns and the Hazaras, the end of the monarchy, the Soviet intervention, the Taliban regime. A life in constant fear, a friendship so strong and yet so fragile, torn apart by shame and misconceptions.
Undefeated prejudices. A city that has become the shadow of its former heyday. Children being sold by the ones who were supposed to protect them.
Women being stoned to death while the roaring crowd, a mob of uneducated worms, cheers its lust for blood. Fairy tales are seen as the one source of support, a gentle reminder, a warning if you will, that everything can go wrong.
And then everything can be fixed. Almost everything… I read the novel and then I chose to read the graphic novel edition. Both were excellent, the shock and terror equally strong.
The illustrations by Fabio Celoni and Mirka Andolfo are so vivid that there were times I was petrified regardless of the fact that I knew what was coming.
I thought A Thousand Splendid Suns was one of the hardest reading experiences in my life but The Kite Runner was even more psychologically draining.
Hosseini is a merciless writer, God bless him…The dialogue in both versions is excellent, the characterization brilliantly executed, the overall result astonishing and awe-inspiring.
I cried like a baby upon finishing both. Personal trivia: I love Charlton Heston. This is a beautiful, shocking, raw story of family ties, friendship, grief and injustice and the chance to heal the deepest wounds My doctor would say that Amir suffered from AWDD — Ass whooping deficiency disorder and I would enthusiastically second that diagnosis.
That said, I invite everyone to read the book and see how it all plays out. He was right in so many ways. An inability to forgive ourselves for past moments of cowardice, shame and inaction are the most troubling and relentless sorrows we can face as humans wandering around on this poor earth.
We can forgive others, even those who have harmed us greatly, but looking ourselves in the eye and offering absolution can be an act beyond so many of us.
I took my time getting to this book for a great many reasons and now that I have finally read it, I am so glad. This book moved me.
Hosseini was able to pluck heart strings of emotion that I had thought silent and stolid. The themes of loyalty, friendship, devotion countered with betrayal, animosity and selfishness were plaintive notes played out in a literary orchestra of human sentiment.
Shielded by cultural, social and religious privilege, his regrettable acts of pusillanimity are displayed against the heroic and admirable examples of his steadfast friend Hassan and his intrepid father.
Hosseini paints us a picture of an evolving and destabilizing Afghanistan, tortured for years with Soviet occupation and then granted only the briefest of reprieves before falling to the theocratic and brutal rule of the Taliban.
Not for everyone, but for those who can endure what is at times heartbreaking the reward is as magnificent as is this work. View all 29 comments.
Guilt The Kite Runner is emotional and immersive, a story that is amplified with its spotlight on society and culture within Afganistan - both past and present.
The story relates to the lives of two boys, Amir and Hassan, growing up in Kabul and narrated through the eyes of Amir.
There are major societal and lifestyle differences between them but it is the character and principles of the two boys that defines this literary classic.
Amir is the son of a rich man, he is educated, refined, and mos Guilt The Kite Runner is emotional and immersive, a story that is amplified with its spotlight on society and culture within Afganistan - both past and present.
Amir is the son of a rich man, he is educated, refined, and most importantly for social standing, part of the Sunni ruling class.
Hassan is the son of the household servant and is illiterate, physically robust, but unfortunately for him, part of the Shia lower class.
At a young age, the two boys probably saw each other as play friends, rather than the additional baggage or benefits their class positions bestow on them.
However, as children grow up they inherently know where power resides and it doesn't take long for Amir to recognise his family's dominance and Hassan's family servitude.
Following an incident where Hassan suffers physically and psychologically in protecting Amir, it leaves Amir with an unshakeable sense of guilt and culpability that manifests itself in a resentful disposition towards Hassan.
Hassan suffers twice for being a better friend. The class system plays its part but the cowardice of Amir clings to his memories and will haunt him throughout his life.
The writing flows wonderfully and the story is so imperceptibly built to capture emotions and our sentiments of injustice. Years after Amir immigrated to the United States he returns with the hope of righting some of these wrongs and seeking redemption with Hassan.
Since Amir was last in Afghanistan the Taliban are now in control of the state - including government and religion. The country Amir knew now feels alien as he experiences the emotional horrors and fear of life under the Taliban.
They are also dangerous times where the outward display of appearance and loyalty are crucial not to fall foul of the authorities.
I would highly recommend reading this book. In fact, it's a must-read! View all 43 comments. Shelves: books-i-own.
Before I started this book, I distinctively remember running my hands over the cover, over the embossed letters that read, The Kite Runner , with not a thought spared but just a sense of hope and anticipation.
Now, after I've finished it, I'm once again running my hands over them. Those letters that read, The Kite Runner. Those letters that mean a lot more than what they seemed to a few days ago.
This is just a tiny fraction of "Oh"s that I felt during my journey through thi Before I started this book, I distinctively remember running my hands over the cover, over the embossed letters that read, The Kite Runner , with not a thought spared but just a sense of hope and anticipation.
This is just a tiny fraction of "Oh"s that I felt during my journey through this beauty and beast of a book.
And each of these differ in what they incited, invoked, in me. Yet all so powerful and painful and grudgingly piquant. If you want a psychoanalysis of the characters and a dissection of the plot lines, with a thousand different adjectives for the mesmerizingly written prose, you're at the wrong place.
This is just going to be me, and my flailing traitorous emotions. So, What do I feel? Yes, I feel beauty. Marred with reality, with the wonder and ugliness, with all of it.
And I feel love. Love towards this book. Amir and Hassan, the Sultans of Kabul. Towards everything that should not have gone wrong. And I feel hatred.
Hatred against what happened. What shouldn't have happened. And at everything that did go wrong. I feel horror , that is not macabre, but so vicious, so cruel, it hurts.
An undercurrent of anguish that haunts you wherever you go. And I feel love again , with all it's highs and lows and everything in between.
For you, A thousand times over. And I feel a lot more. That I'm just not able to articulate. And I didn't cry. Maybe because, in order to cry there must be frissons of lachrymosity rocking me.
But when even happiness forecasts heartbreak, when the whole book is a shadow of melancholy cloaking me, wistfulness following me, crying is a reprieve that I feel this book has denied me.
Even though there are no tears, I know that I'm as close to crying, bawling and sobbing inconsolably all at once than I've ever been for I'm a turmoil inside.
Shelves: so-bad-i-must-warn-others. This review has been hidden because it contains spoilers. To view it, click here.
And, I will admit that this portion of the book had me reading as quickly as I could. I flipped from one page to the next, skimmed over the plethora of annoyances, oops, I mean I skimmed over the Farsi vocab sprinkled evenly throughout to, of course, add authenticity and give it that multicultural feel that is sure to make every publisher drool over a manuscript, and I was even forgiving of the somewhat poor writing.
Yes, on day one, I liked The Kite Runner. I was into The Kite Runner. And when I decided to continue my read the next day — I had high hopes!
Never mind… so, anyway, Amir hops on a plane to Afghanistan which is being ruled by the Taliban, yet he enters without issue, and follows the yellow brick road and lands at OZ where it turns out that the man behind the glasses is not John Lennon at all — he is Assef — his childhood nemesis, pedophile, and just plain evil guy and you know he is evil cause he likes Hitler — although he has never heard of ethic cleansing.
My third day of reading, I completed the book and instead of placing my hand over my heart, smiling, and thinking about how wonderful the book was, how beautiful the story was, and how it all came so nicely together in the end apparently the reaction of the masses , I was mad.
I was mad because there are so many people out there who think a book this ridiculous and obvious is brilliant. I was mad because this is precisely what is wrong with some multicultural literature and what gives multicultural literature a bad name.
There are many pieces out there that are actually beautifully written, provide valuable insight into other cultures, and entertain the reader i.
I can forgive to a certain extent poorer writing when the story is written as a true account and when the purpose of the novel is to re-tell actual events.
However, when an author decides he is going to write a piece of fiction, his style, diction, and plotline come into question. Just the fact that a good portion of the middle of the book was dedicated to pounding it into the readers head that Amir and Soraya could not have children and did not want to adopt, well, that is unless the bloodline is known, is enough to clue the reader in that they will adopt Sohrab waaaay before Amir even knows that he will adopt Sohrab.
What a coincidence that Hassan just happened to be his half brother, happened to have a son, and the son happened to have been taken by Assef. And it was even more convenient that, even from the grave, once again, Hassan could save Amir.
He could provide him with a son and the opportunity to finally fight the big bully who STILL carried his brass knuckles.
And more convenient yet, the fact that Sohrab always carried that slingshot And in case we forgot that he always carried it, Amir remembered for us, as if Hosseini wants to say: see readers how clever I am, I set it up that Sohrab always had the slingshot, and now later in the story, it comes back out.
See how clever I am readers, everything in my story has a purpose and is connected. However, what Hosseini needed to do is explain how a kid who has been taken from an orphanage, made to dress and entertain like a monkey, lives with the Taliban, and is a sex slave for the Big Bad Assef, still managed to keep his slingshot — the very weapon used against Assef in the past, and the very weapon that Assef has an issue with!
So, okay, Sohrab saves Amir, they escape and the Taliban does nothing, and then another freaking coincidence — Amir will end up with a scar.
And in case the reader does not deduce that Amir will have a scar from his busted lip, the doctor points it out and confirms it. Baba dies of lung cancer and then Rahim Khan seems to have to same issue — does Hosseini think all people who die of natural causes die of lung issues?
Then, of course, Sohrab tries to kill himself, so now we know why Andrews kid had to commit suicide — we needed one more obvious instance of foreshadowing.
It is also a little odd how often Amir throws out how he knows about medicine because he is a writer — WHAT? Perhaps that is the biggest tragedy of it all.
By the way, I am still giving the novel two stars because there is an interesting story in there, and the glimpse into Afghanistan is valuable.
It is just that the author did such a poor job of presenting the story that it actually detracts from the positive aspects of the book and makes the validity of his glimpse into Afghanistan quite questionable.
Therefore, my two stars are for the possibilities that could have been if it had been written by a talented author.
View all 38 comments. Loving story and dark at the same time. Interesting to read about culture and what happened to the country.
Thought it was not my book, but I enjoyed it and read through it pretty quickly. View all 10 comments. This was a very interesting and well written story of Afghanistan and how it has changed over the last 50 years or so.
It was fascinating to get the impression of things from someone who lived through it. While a fictional story, it is obvious that the author drew from his own experiences.
Without actually doing research or talking to someone who who lived through it, you real 4 to 4. Without actually doing research or talking to someone who who lived through it, you really don't get the big picture.
View all 16 comments. I read this novel five years ago and I confess, at that time, It was my best read for some time. I enjoyed this book.
Amir the narrator of the novel has narrated it beautifully. The sense of insecurity in the father-son relation has been woven nicely and the sense of redemption and guilt is the main theme in the psyche of the narrator.
I found the entire story heart wrenching and the scenes and plot around the friendship of two boys from two different and opposite strata of the society were perfe I read this novel five years ago and I confess, at that time, It was my best read for some time.
I found the entire story heart wrenching and the scenes and plot around the friendship of two boys from two different and opposite strata of the society were perfectly written and composed by Khaled.
Novel's depiction is full of warmth and humor. Being the first work of Khaled, I admire his way of writing and the way he advances his story. Don't be surprised, If you find your eyes wet sometimes while turning some of the pages of the kite runner The most interesting part of the story for me was the friendship portrayal of Aamir and Hassan.
It was written with all tenderness and innocence of childhood. On the south end of the garden, in the shadows of a loquat tree, Hassan lived alone without him in the servant quarters.
View all 26 comments. Loved this. Film was terrible. View all 6 comments. This is one strain of the virus we call Middlebrow Literature. Issuetastic fiction that turns up-to-date, politically loaded topical material into powerful works of stating the obvious whose aim is to educate the Uninformed or Casually Interested Westerner in the ways of another culture at a time when that culture or nation is under scrutiny, or has the western gaze upon it and needs to answer for itself in an accessible and heart-tugging manner.
Now and then we will accept literature from far-o This is one strain of the virus we call Middlebrow Literature. View all 81 comments.
So I started Kite Runner two nights ago after finishing Blink. Kite Runner, I started over a long weekend and could not for the life of me put it down.
The Kite Runner. They both broke my heart but not in the way Kite Runner did. Amir und Hassan, zwei befreundete Jungen aus unterschiedlichen Bevölkerungsgruppen, wachsen im Kabul der er Jahre auf.
Hassan kann nicht lesen und nicht schreiben, ist aber charakterlich ein durch und durch aufrichtiger Mensch und Amir, den er sehr bewundert, in unerschütterlicher Freundschaft ergeben.
Eines Tages versucht der kräftigere Assef, die beiden Freunde zu verprügeln. Hassan vertreibt Assef und seine Freunde mit seiner Zwille.
Etwas später, am Tag als die beiden zusammen einen mit Papierdrachen ausgetragenen Wettkampf gewinnen, wird jedoch Hassan von Assef zusammengeschlagen und vergewaltigt.
Amir, der dies heimlich beobachtet, aber zu feige ist, Hassan zu helfen, macht sich nach diesem Vorfall schwere Vorwürfe. Aus Scham über sein Versagen kann er nicht damit umgehen, dass Hassan weiter in seiner Nähe ist, und schiebt Hassan einen fingierten Diebstahl unter, damit dieser aus dem Haus gejagt wird.
Hassan gesteht die Tat, obgleich er diese nicht begangen hat. Nach der sowjetischen Invasion fliehen Amir und sein Vater nach Pakistan.
Später ziehen sie nach Kalifornien , wo Amir das College absolviert. Amir lernt die ebenfalls aus Afghanistan geflohene Soraya, Tochter eines angesehenen afghanischen Generals, kennen und heiratet sie.
Kurz nach der Hochzeit verstirbt Amirs Vater. Amirs erstes Buch erscheint. Im von den Gräueln der Taliban-Herrschaft gezeichneten Kabul erfährt Amir, dass Suhrab nicht mehr im Waisenhaus ist, sondern von einem einflussreichen Talib verschleppt wurde.
Suhrab rettet ihn mit einem Zwillenschuss in Assefs Auge — er kann dies genauso gut wie sein Vater. Mit Hilfe eines Fahrers können die beiden zurück nach Pakistan fliehen.
Amir möchte den Jungen adoptieren und mit in die Vereinigten Staaten nehmen, doch es stellt sich heraus, dass dies alles andere als einfach ist.
In Islamabad erfährt Suhrab, dass er möglicherweise noch einmal in ein Waisenhaus muss, worauf er einen Selbstmordversuch unternimmt.
Amir nimmt den Jungen zu sich in die Vereinigten Staaten. Suhrab lebt in sich zurückgezogen und spricht nicht mehr. Erst beim Drachensteigen an der kalifornischen Küste schmilzt das Eis zwischen ihm und Amir.
Er ist ein wohlhabender Paschtunenjunge im monarchischen Afghanistan , der nach der sowjetischen Invasion mit seinem Vater nach Amerika auswandert.
Amir ist Hassans Halbbruder , was er jedoch erst sehr viel später erfährt. Er ist mit Soraya verheiratet. Hassan — geboren im Winter , ist ein loyaler Jugendfreund von Amir.
Obwohl sich Amir nie richtig zu ihm bekannt hat, sind sie die besten Freunde. Er hat ein puppenartiges, chinesisches Gesicht, grüne Augen und eine gespaltene Lippe.
Just the right words! I feel like this book can make anyone a better person too if they allow it and stop judging for a minute. After pondering long and hard, I'm going to try now to articulate just what it was about this book that sucked so much, why it has offended me so greatly, and why its popularity has enraged me even more.
This book blew so much that I've been inspired to start my own website of book reviews for non-morons.
So let us explore why. First, let's deal with the writer himself. Hosseini's father worked for Western companies while in Afghasnistan. While daddy who I am guessing, from Hosseini's tragic ac After pondering long and hard, I'm going to try now to articulate just what it was about this book that sucked so much, why it has offended me so greatly, and why its popularity has enraged me even more.
While daddy who I am guessing, from Hosseini's tragic account of the "fictional" father, never accepts his son worked and got wealthy, normal Afghans lived their lives.
When war broke out, Hosseini's father was offered a safe position in Iran. Just before the revolution in Iran, his father was offered another job in Paris, before finally taking the family to the USA.
That's fine Others are not. There is no doubt in my mind that the Hassan character really did exist in some form or another.
Surely, Hosseini feels guilty for leaving his homeland by simple privilege while the less fortunate were left behind to fight the Soviets, the Mujahideen, and then the Taliban.
And surely, Hosseini wishes he were some flawed hero that didn't simply get lucky. He wishes he'd majored in English, as the protagonist does, and published fiction books instead of becoming a run-of-the-mill doctor; he wishes his father had depended upon him in the USA as happens in the book, instead of getting by just fine as a rich exile with a daddy-doesn't-love-me complex; he wishes he could go back to Afghanistan, risking his life to make ammends for his shitty and cowardly past, instead of remaining a wealthy outsider living happily in the USA.
Instead, he just makes it up and calles it a novel Besides all of the contrived and predictable plot twists?? What really disturbs me is that people not only eat this shit up, but they also call it "literature," award it, and give this guy money and license to write another book.
For lack of better words I could go on about how the writing sucks, especially when the author admits to using cliches elephant in the room, dark as night, thin as a rake, et fucking c but I won't.
A couple of reasons: 1 If you liked this book, a part of you is sick, and a larger part of you is an idiot 2 I could write a page thesis about how much this book blew monkey chunks, but it's not worth my time 3 This shit sells, and Hosseini, between his stupid book and movie deals, is an even richer man than he was before He understands the market and fed it back to us.
We probably deserve it. Should be back in business once emotions are in full functioning mode. View all 15 comments. Jul 24, Naeem rated it did not like it Recommends it for: anyone wanting to keep their blinders on.
I found this book a failure of courage and imagination -- all the more upsetting for the author's astute sense of detail and wonderful psychological depth.
But ask yourself this: if the Taliban are real humans than why are they not represented as such? No doubt we will all love the movie as well.
Below is my complete review: I started out loving this book. Hosseini is dead on target in his depiction of child I found this book a failure of courage and imagination -- all the more upsetting for the author's astute sense of detail and wonderful psychological depth.
Hosseini is dead on target in his depiction of children's psychology, the non-contractual relationships between master and servant, and in his weaving of the threads between trauma, memory, and denial.
Further, Hosseini captures the feel of life in a Third World country. His depiction of Afghanistan confirms my own short travels in Afghanistan during the s.
Indeed, I was becoming ever more excited with the possibility of teaching this book in my new course on Afghanistan. But alas. The book fails exactly where it most needs to succeed - in the depiction of the Taliban.
When we do not have an archive, or the possibility of getting at the facts and narratives of a part of history, fiction can be used creatively and responsibly in order to construct something real.
Take, for example, the extraordinary slave narrative written by Guy Endore -- Babouk. After years of research, Endore writes a history of a slave engaged in rebellion just prior to the Haitian Revolution.
Discounting and trivializing his own skills, he characterizes the Taliban in the easiest way -- as simple, cartoonish, evil. He thereby does nothing to enlighten us.
Worse, he panders to a sleepwalking liberal public who happily accept his vision as a seemingly authentic reflection of their own myopia.
Most everyone is satisfied: the U. At least V. Niapaul is honest about his hatred for his own people. Hosseini's twist is less forgivable -- he gives aide to the very people whose malice, neglect, ignorance, and misunderstanding of Afghan people is one key factor in the destruction of this beautiful land and vital people.
A failure of imagination is often the result of a failure in will, in courage, in politics. Hosseini traps himself in the politics of nostalgia.
View all 70 comments. Jul 07, Amalia Gkavea rated it it was amazing Shelves: afghanistan , s , 20th-century , contemporary , favorites , historical-fiction , world-history , world-culture , asia , world-literature.
No one can threaten you or harm you when you fly. In the neighborhoods of Kabul, boys take part in kite competitions, looking upwards in hope.
Sometimes, though, hope is futile and becomes a mere empty word. From San Francisco in , we move to Kabil during the s. Amir is a bright, bookish boy with a preference to the tragic myths of old.
He is quiet, an enemy of violence. But quietness and cowardliness are separated by an extremely thin line and there are times when bravery and honesty, no matter how unpleasant or disagreeable they may be, are forgotten.
Hassan is his best friend. Intelligent and brave and kind. However, he has the ill fortune to belong to a low caste. And then tragedy strikes, born out of hatred and absurd discrimination.
Amir reveals an impossibly ugly side and the hardships begin. The disputes between the Pashtuns and the Hazaras, the end of the monarchy, the Soviet intervention, the Taliban regime.
A life in constant fear, a friendship so strong and yet so fragile, torn apart by shame and misconceptions. Undefeated prejudices.
A city that has become the shadow of its former heyday. Children being sold by the ones who were supposed to protect them.
Women being stoned to death while the roaring crowd, a mob of uneducated worms, cheers its lust for blood.
Fairy tales are seen as the one source of support, a gentle reminder, a warning if you will, that everything can go wrong.
And then everything can be fixed. Almost everything… I read the novel and then I chose to read the graphic novel edition. Both were excellent, the shock and terror equally strong.
The illustrations by Fabio Celoni and Mirka Andolfo are so vivid that there were times I was petrified regardless of the fact that I knew what was coming.
I thought A Thousand Splendid Suns was one of the hardest reading experiences in my life but The Kite Runner was even more psychologically draining.
Hosseini is a merciless writer, God bless him…The dialogue in both versions is excellent, the characterization brilliantly executed, the overall result astonishing and awe-inspiring.
I cried like a baby upon finishing both. Personal trivia: I love Charlton Heston. This is a beautiful, shocking, raw story of family ties, friendship, grief and injustice and the chance to heal the deepest wounds Aug 03, Lyn rated it it was amazing.
My doctor would say that Amir suffered from AWDD — Ass whooping deficiency disorder and I would enthusiastically second that diagnosis.
That said, I invite everyone to read the book and see how it all plays out. He was right in so many ways.
An inability to forgive ourselves for past moments of cowardice, shame and inaction are the most troubling and relentless sorrows we can face as humans wandering around on this poor earth.
We can forgive others, even those who have harmed us greatly, but looking ourselves in the eye and offering absolution can be an act beyond so many of us.
I took my time getting to this book for a great many reasons and now that I have finally read it, I am so glad.
This book moved me. Hosseini was able to pluck heart strings of emotion that I had thought silent and stolid.
The themes of loyalty, friendship, devotion countered with betrayal, animosity and selfishness were plaintive notes played out in a literary orchestra of human sentiment.
Shielded by cultural, social and religious privilege, his regrettable acts of pusillanimity are displayed against the heroic and admirable examples of his steadfast friend Hassan and his intrepid father.
Hosseini paints us a picture of an evolving and destabilizing Afghanistan, tortured for years with Soviet occupation and then granted only the briefest of reprieves before falling to the theocratic and brutal rule of the Taliban.
Not for everyone, but for those who can endure what is at times heartbreaking the reward is as magnificent as is this work.
View all 29 comments. Guilt The Kite Runner is emotional and immersive, a story that is amplified with its spotlight on society and culture within Afganistan - both past and present.
The story relates to the lives of two boys, Amir and Hassan, growing up in Kabul and narrated through the eyes of Amir. There are major societal and lifestyle differences between them but it is the character and principles of the two boys that defines this literary classic.
Amir is the son of a rich man, he is educated, refined, and mos Guilt The Kite Runner is emotional and immersive, a story that is amplified with its spotlight on society and culture within Afganistan - both past and present.
Amir is the son of a rich man, he is educated, refined, and most importantly for social standing, part of the Sunni ruling class.
Hassan is the son of the household servant and is illiterate, physically robust, but unfortunately for him, part of the Shia lower class.
At a young age, the two boys probably saw each other as play friends, rather than the additional baggage or benefits their class positions bestow on them.
However, as children grow up they inherently know where power resides and it doesn't take long for Amir to recognise his family's dominance and Hassan's family servitude.
Following an incident where Hassan suffers physically and psychologically in protecting Amir, it leaves Amir with an unshakeable sense of guilt and culpability that manifests itself in a resentful disposition towards Hassan.
Hassan suffers twice for being a better friend. The class system plays its part but the cowardice of Amir clings to his memories and will haunt him throughout his life.
The writing flows wonderfully and the story is so imperceptibly built to capture emotions and our sentiments of injustice. Years after Amir immigrated to the United States he returns with the hope of righting some of these wrongs and seeking redemption with Hassan.
Since Amir was last in Afghanistan the Taliban are now in control of the state - including government and religion. The country Amir knew now feels alien as he experiences the emotional horrors and fear of life under the Taliban.
They are also dangerous times where the outward display of appearance and loyalty are crucial not to fall foul of the authorities.
I would highly recommend reading this book. In fact, it's a must-read! View all 43 comments. Shelves: books-i-own. Before I started this book, I distinctively remember running my hands over the cover, over the embossed letters that read, The Kite Runner , with not a thought spared but just a sense of hope and anticipation.
Now, after I've finished it, I'm once again running my hands over them. Those letters that read, The Kite Runner.
Those letters that mean a lot more than what they seemed to a few days ago. This is just a tiny fraction of "Oh"s that I felt during my journey through thi Before I started this book, I distinctively remember running my hands over the cover, over the embossed letters that read, The Kite Runner , with not a thought spared but just a sense of hope and anticipation.
This is just a tiny fraction of "Oh"s that I felt during my journey through this beauty and beast of a book.
And each of these differ in what they incited, invoked, in me. Yet all so powerful and painful and grudgingly piquant. If you want a psychoanalysis of the characters and a dissection of the plot lines, with a thousand different adjectives for the mesmerizingly written prose, you're at the wrong place.
This is just going to be me, and my flailing traitorous emotions. So, What do I feel? Yes, I feel beauty. Marred with reality, with the wonder and ugliness, with all of it.
And I feel love. Love towards this book. Amir and Hassan, the Sultans of Kabul. Towards everything that should not have gone wrong. And I feel hatred.
Hatred against what happened. What shouldn't have happened. And at everything that did go wrong. I feel horror , that is not macabre, but so vicious, so cruel, it hurts.
An undercurrent of anguish that haunts you wherever you go. And I feel love again , with all it's highs and lows and everything in between. For you, A thousand times over.
And I feel a lot more. That I'm just not able to articulate. And I didn't cry. Maybe because, in order to cry there must be frissons of lachrymosity rocking me.
But when even happiness forecasts heartbreak, when the whole book is a shadow of melancholy cloaking me, wistfulness following me, crying is a reprieve that I feel this book has denied me.
Even though there are no tears, I know that I'm as close to crying, bawling and sobbing inconsolably all at once than I've ever been for I'm a turmoil inside.
Shelves: so-bad-i-must-warn-others. This review has been hidden because it contains spoilers. To view it, click here. And, I will admit that this portion of the book had me reading as quickly as I could.
I flipped from one page to the next, skimmed over the plethora of annoyances, oops, I mean I skimmed over the Farsi vocab sprinkled evenly throughout to, of course, add authenticity and give it that multicultural feel that is sure to make every publisher drool over a manuscript, and I was even forgiving of the somewhat poor writing.
Yes, on day one, I liked The Kite Runner. I was into The Kite Runner. And when I decided to continue my read the next day — I had high hopes! Never mind… so, anyway, Amir hops on a plane to Afghanistan which is being ruled by the Taliban, yet he enters without issue, and follows the yellow brick road and lands at OZ where it turns out that the man behind the glasses is not John Lennon at all — he is Assef — his childhood nemesis, pedophile, and just plain evil guy and you know he is evil cause he likes Hitler — although he has never heard of ethic cleansing.
My third day of reading, I completed the book and instead of placing my hand over my heart, smiling, and thinking about how wonderful the book was, how beautiful the story was, and how it all came so nicely together in the end apparently the reaction of the masses , I was mad.
I was mad because there are so many people out there who think a book this ridiculous and obvious is brilliant. I was mad because this is precisely what is wrong with some multicultural literature and what gives multicultural literature a bad name.
There are many pieces out there that are actually beautifully written, provide valuable insight into other cultures, and entertain the reader i.
I can forgive to a certain extent poorer writing when the story is written as a true account and when the purpose of the novel is to re-tell actual events.
However, when an author decides he is going to write a piece of fiction, his style, diction, and plotline come into question. Just the fact that a good portion of the middle of the book was dedicated to pounding it into the readers head that Amir and Soraya could not have children and did not want to adopt, well, that is unless the bloodline is known, is enough to clue the reader in that they will adopt Sohrab waaaay before Amir even knows that he will adopt Sohrab.
What a coincidence that Hassan just happened to be his half brother, happened to have a son, and the son happened to have been taken by Assef.
And it was even more convenient that, even from the grave, once again, Hassan could save Amir. He could provide him with a son and the opportunity to finally fight the big bully who STILL carried his brass knuckles.
And more convenient yet, the fact that Sohrab always carried that slingshot And in case we forgot that he always carried it, Amir remembered for us, as if Hosseini wants to say: see readers how clever I am, I set it up that Sohrab always had the slingshot, and now later in the story, it comes back out.
See how clever I am readers, everything in my story has a purpose and is connected. However, what Hosseini needed to do is explain how a kid who has been taken from an orphanage, made to dress and entertain like a monkey, lives with the Taliban, and is a sex slave for the Big Bad Assef, still managed to keep his slingshot — the very weapon used against Assef in the past, and the very weapon that Assef has an issue with!
So, okay, Sohrab saves Amir, they escape and the Taliban does nothing, and then another freaking coincidence — Amir will end up with a scar.
And in case the reader does not deduce that Amir will have a scar from his busted lip, the doctor points it out and confirms it. Baba dies of lung cancer and then Rahim Khan seems to have to same issue — does Hosseini think all people who die of natural causes die of lung issues?
Then, of course, Sohrab tries to kill himself, so now we know why Andrews kid had to commit suicide — we needed one more obvious instance of foreshadowing.
It is also a little odd how often Amir throws out how he knows about medicine because he is a writer — WHAT?
Perhaps that is the biggest tragedy of it all. By the way, I am still giving the novel two stars because there is an interesting story in there, and the glimpse into Afghanistan is valuable.
It is just that the author did such a poor job of presenting the story that it actually detracts from the positive aspects of the book and makes the validity of his glimpse into Afghanistan quite questionable.
Therefore, my two stars are for the possibilities that could have been if it had been written by a talented author. View all 38 comments. May 17, Annet rated it really liked it Shelves: family-ties , dark , heartbreaking , religion , emotional , hope.
Loving story and dark at the same time. Interesting to read about culture and what happened to the country. Thought it was not my book, but I enjoyed it and read through it pretty quickly.
View all 10 comments. This was a very interesting and well written story of Afghanistan and how it has changed over the last 50 years or so.
It was fascinating to get the impression of things from someone who lived through it. While a fictional story, it is obvious that the author drew from his own experiences.
Without actually doing research or talking to someone who who lived through it, you real 4 to 4. Without actually doing research or talking to someone who who lived through it, you really don't get the big picture.
View all 16 comments. Apr 25, Praveen rated it really liked it. I read this novel five years ago and I confess, at that time, It was my best read for some time.
I enjoyed this book. Amir the narrator of the novel has narrated it beautifully. The sense of insecurity in the father-son relation has been woven nicely and the sense of redemption and guilt is the main theme in the psyche of the narrator.
I found the entire story heart wrenching and the scenes and plot around the friendship of two boys from two different and opposite strata of the society were perfe I read this novel five years ago and I confess, at that time, It was my best read for some time.
I found the entire story heart wrenching and the scenes and plot around the friendship of two boys from two different and opposite strata of the society were perfectly written and composed by Khaled.
Novel's depiction is full of warmth and humor. Being the first work of Khaled, I admire his way of writing and the way he advances his story.
Don't be surprised, If you find your eyes wet sometimes while turning some of the pages of the kite runner The most interesting part of the story for me was the friendship portrayal of Aamir and Hassan.
It was written with all tenderness and innocence of childhood. On the south end of the garden, in the shadows of a loquat tree, Hassan lived alone without him in the servant quarters.
View all 26 comments. Loved this. Film was terrible. View all 6 comments. This is one strain of the virus we call Middlebrow Literature.
Issuetastic fiction that turns up-to-date, politically loaded topical material into powerful works of stating the obvious whose aim is to educate the Uninformed or Casually Interested Westerner in the ways of another culture at a time when that culture or nation is under scrutiny, or has the western gaze upon it and needs to answer for itself in an accessible and heart-tugging manner.
Now and then we will accept literature from far-o This is one strain of the virus we call Middlebrow Literature.
View all 81 comments. May 29, Linda rated it it was amazing Shelves: favorites , fiction. So I started Kite Runner two nights ago after finishing Blink.
Kite Runner, I started over a long weekend and could not for the life of me put it down. The Kite Runner. They both broke my heart but not in the way Kite Runner did.
I was in tears maybe four separate times during the past two days it took me to finish the novel. A coming of age story with pre—war Afganhistan and the post-Taliban arrival as the backdrop of the story.
I tend to take note of books I know my dad will enjoy and as I read them I jot down notes on post its for my dad and flag the relevant pages.
I flagged the story about Amir and Hassen tying bumble bees with string and letting them fly a bit before yanking them back.
My dad used to do exactly the same thing to dragonflies when he was younger growing up in Vietnam. Then as I got deeper and deeper into the book and found myself tearing up, I started to doubt whether my dad, a vet would enjoy going down memory lane.
I took breaks and called Mary Ellen to relay the story and basically to pull me out a little. I kept imagining I was reading about my dad.
Funny how war is pretty much the same no matter where it is. All heart breaking in their own respect but I never felt so invested in events unfolding with each turn of the page as I did with Kite Runner.
So aside from making me cry so easily, Hosseini also managed to make me laugh several times out loud.
And that is theft. Every other sin is a variation of theft.. They sat in the laps of their burque-clad mothers alongside gutters at busy street corners… Hardly any of them sat with an adult male- the war had made fathers a rare commodity in Afghanistan.
Happiness like this is frightening. I get extra wary of freak accidents. View all 9 comments. Readers also enjoyed.
Videos About This Book. More videos Adult Fiction. About Khaled Hosseini. Khaled Hosseini. Hosseini was born in Kabul, Afghanistan, in In Hosseini and his family moved to Iran where his father worked for the Embassy of Afghanistan in Tehran.
Shelves: so-bad-i-must-warn-others. That's fine Hosseini's story is thickly foreshadowed and wraps up so neatly in the end that the reader will never have to worry about being surprised. Wali Tamim Nawabi He smiled, and with a special Afghan accent, he said " Jessica Pazska have written a story, sir " and became quiet again. I was into The Kite Runner.
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