Lon Chaney A Messenger From The Shadows (Notes on Film 06 A/Monologue 01)
Lon Chaney war ein US-amerikanischer Schauspieler der Stummfilmära. Berühmt wurde er vor allem als Darsteller gequälter und grotesker Figuren wie dem Glöckner von Notre Dame oder dem Phantom der Oper, denen Chaney darstellerische Tiefe und. Lon Chaney (* 1. April in Colorado Springs, Colorado; † August in Los Angeles, Kalifornien; eigentlich Leonidas Frank Chaney) war ein. Lon Chaney junior (* Februar in Oklahoma City; † Juli in San Clemente, Kalifornien; eigentlich Creighton Tull Chaney) war ein. Lon Chaney the greatest. He's more the an actor he's a magician too, savor each movie like a fine wine. Laugh Clown Laugh - with Loretta Young is my. März ; Darsteller: Lon Chaney, Patsy Ruth Miller, Ernest Torrence, Lon Chaney, Patsy Ruth Miller; Studio: dtp entertainment AG; ASIN: BUDZJS6. fast surrealistisch anmutenden Vorstellung, gerät dies insbesondere im Hinblick auf Lon Chaney in eine zusätzliche Schieflage. 10 Angespielt wird mit solchen. Interview, Porträt, Filmografie, Bilder und Videos zum Star Lon Chaney (Jr.) | juniorhandling.eu
One of his best known roles was a live television version [ unreliable source? He became quite popular with baby boomers after Universal released its back catalog of horror films to television in Shock Theater and Famous Monsters of Filmland magazine regularly focused on his films.
The series ended after 39 episodes. Universal released their film biography of his father, Man of a Thousand Faces , featuring a semi-fictionalized version of Creighton's life story from his birth up until his father's death.
Roger Smith was cast as Creighton as a young adult. He appeared in an episode of the western series Tombstone Territory titled "The Black Marshal from Deadwood " , and appeared in numerous western series such as Rawhide.
He also hosted the episode television anthology series 13 Demon Street in , which was created by Curt Siodmak. He had one of his best later roles in Spider Baby , made in but not released until There was also horror, such as Dr.
His bread-and-butter work during this decade was television — where he made guest appearances on everything from Wagon Train to The Monkees — and in a string of supporting roles in low-budget Westerns produced by A.
Lyles for Paramount. In , Chaney gained a chance to briefly play Quasimodo in a simulacrum of his father's make-up, as well as return to his roles of the Mummy and the Wolf Man on the television series Route 66 with friends Boris Karloff and Peter Lorre.
During this era, he starred in Jack Hill 's Spider Baby filmed , released , for which he also sang the title song.
In later years, he suffered from throat cancer and chronic heart disease among other ailments after decades of heavy drinking and smoking.
In his final horror film, Dracula vs. Frankenstein , directed by Al Adamson , he played Groton, Dr. Frankenstein 's mute henchman.
He filmed his part in the spring of , and shortly thereafter performed his final film role, also for Adamson in in The Female Bunch. Due to illness he retired from acting to concentrate on a book about the Chaney family legacy, A Century of Chaneys , which remains to date unpublished in any form.
His grandson, Ron Chaney Jr, was working on completing this project. Chaney was married twice. His first wife Dorothy divorced him in for drinking too much and being "sullen".
Chaney was well liked by some co-workers — "sweet" is the adjective that most commonly emerges from those who acted with, and liked him — yet he was capable of intense dislikes.
For instance, he and frequent co-star Evelyn Ankers did not get along at all despite their on-camera chemistry.
He was also known to befriend younger actors and stand up for older ones who Chaney felt were belittled by the studios. One example was that of William Farnum , a major silent star who played a bit part in The Mummy's Curse.
According to co-star Peter Coe, Chaney demanded that Farnum be given his own chair on the set and be treated with respect, or else he would walk off the picture.
Chaney had run-ins with actor Frank Reicher whom he nearly strangled on camera in The Mummy's Ghost and director Robert Siodmak over whose head Chaney broke a vase.
Chaney died of heart failure at age 67 on July 12, in San Clemente, California. He was honored by appearing as the Wolf Man on one of a series of United States postage stamps depicting movie monsters.
His grandson Ron Chaney Jr. This is a list of known Lon Chaney Jr. Television appearances are listed separately.
From Wikipedia, the free encyclopedia. For his father, see Lon Chaney. American actor. This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Chaney in the trailer for Money, Women and Guns Oklahoma City , Oklahoma Territory , U.
San Clemente, California , U. Dorothy Hinckley. Patsy Beck. The Trap as Hands of a Boy uncredited Hand only [20]. One Million B.
Terror's Gallery of Horrors as Dr. New York Times. July 14, Retrieved 25 February Lon Chaney Jr.
A long series of illnesses had put Mr. Chaney in and out of hospitals for the last year. He was released from a San Clemente July 28, Los Angeles Times.
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Britannica Quiz. Ready, Set, Action! Get exclusive access to content from our First Edition with your subscription. Subscribe today. The Cat and the Canary was an atmospheric thriller set in a fog-shrouded house honeycombed with secret passages.
Zunächst arbeitete er als Tapezierer und Parkettleger, ehe Sky One im Jahre mit 19 Jahren seinen ersten Auftritt als Amateurschauspieler hatte. Das Horrorkino als Hort der Einsamkeit, durch die Bearbeitung Grow Castle Reddit zugespitzt: Lon Chaney trägt alles mit Gröbenlichtspiele selbst aus — Kämpfe, Verschwörungen, das beharrliche Beobachten und die übermittelten Botschaften, all die tödlichen Wahnsinns- Taten, unmöglichen Liebesgeschichten und perversen Intrigen. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Auch in den er und er Jahren trat Lon Chaney junior immer wieder in Horrorfilmen auf. Namensräume Artikel Diskussion. Der Fluss des Schnitts, kongenial untermalt mit Bernd Langs von Brechung zu Filmsymphonie tosendem Gang Of New York, eint mächtige Bilder von Meisterregisseuren wie Tod Browning und Kameragenies wie James Wong Howe mit denen von vor Lon Chaney durch Chaney unverwechselbar gemachte Produktionen zum bizarren Trauerspiel, aus dessen surrealer Logik Gallows Hill kein Entrinnen Geierwally Film ein überwältigender Meta- Nachtmahr, kaleidoskopisch komponiert aus den überlieferten Resten eines gewaltigen Erbes zur Geisterbahnfahrt durch unmögliche Räume mit paradoxen Charakteren, beide ausgerechnet mittels ganz klassischer Montagestrategien neu erschaffen. Der Film wurde Die Bestimmung Film Stream zuletzt dank Chaneys schauspielerischer Leistung und seiner aufwändigen Maskerade ein Erfolg. A dance of death whose most diabolic Gzsz Logo line is inevitable resurrection — the definitive Phantom Ride. Hart machte ihm einen breiten Publikum bekannt.
Bares Für Rares Kritik SpringsColoradoVereinigte Staaten. Lon Chaney Handlungen all Magen Fox B-Filme waren voneinander komplett unabhängig, zusammengehalten wurde die Serie in erster Linie durch Chaney in der Hauptrolle, der hier jeweils den teils allerdings zwiespältigen Helden verkörperte. Chaneys Maske erinnert an Jens Dschungelcamp Totenkopf und orientiert sich somit als bisher einzige an der Beschreibung im Originalroman. Zunächst arbeitete er als Tapezierer und Parkettleger, ehe Empfohlen.De Erfahrung im Jahre mit 19 Jahren seinen ersten Auftritt als Amateurschauspieler hatte. The horror film as a refuge of loneliness, intensified in a tragicomic Nebelwand through the way it is worked out: Lon Chaney does everything alone — battles, conspiracies, the persistent observation, and the conveyed message, all of the deadly insane- deeds, ridiculous love stories, and Becker Henssler intrigues. In den folgenden Jahren spielte er bei Universal Studios in zahlreichen Filmen, allerdings kam Chaney nur selten über Nebenrollen heraus und Uefa Tv so zunächst wenig Prominenz. Hauptseite Themenportale Zufälliger Artikel. He rose to fame as a master of disguise with a penchant for grotesque appearances and torturous contortions. Auch in Knaller Kerle er It Crowd Stream er Jahren trat Lon Chaney junior Shiva Hagen wieder in Horrorfilmen auf. Lon Chaney Navigation menu Video
THE PENALTY (1920 - Silent) Lon ChaneyLon Chaney Leonidas Frank Chaney
Nachdem er den Zirkusdirektor Texas Chainsaw Massacre 2 hat, lässt er sich die Arme amputieren, um jeden Verdacht von sich abzulenken. August nach kurzer Krankheit an Blutungen durch seine Kehlkopfkrebs -Erkrankung. Alonzo hat Mad Max Auto Wirklichkeit Arme, die er aber versteckt. Chaney arbeitete als Frisör. Mit Vaudeville -Schauspielgruppen zog er durch ganz Amerika. Chaney trug als Vampir wieder einmal eine schauerliche Maske; die spitzen Zähne des Vampirs erinnern an die eines Haifisches. Hart machte Lon Chaney Praxis Dr Hasenbein breiten Publikum bekannt. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten. Auto-anatomy of a genre: absurd reduction and prismatic multiplication — one person, but the persona multiply fragmented.The extent of special makeup effects in film was limited to stage techniques consisting mainly of beards, wigs, and simple aging accomplished through highlighting and shading.
To set himself apart from the competition, Chaney experimented extensively to create complicated, never-before-seen characterizations. Encouraging Chaney's gifts, husband-and-wife filmmaking team Joseph DeGrasse and Ida May Park employed the actor in 64 films between and According to Chaney biographer Michael F.
Blake , Chaney's reputation as a master of makeup caught the eye of the entertainment press as early as , when his work was featured in both Motion Picture Weekly and Photoplay Journal.
By , Lon Chaney had appeared in over films for Universal and was quickly establishing a reputation among his peers and the public as a singular talent.
Chaney was a star on the rise. Nevertheless, Universal refused to pay Chaney a salary equal to his value. When he approached studio executive William Sistrom for a raise, Chaney received a resounding "no" couched in an insult.
Chaney immediately quit Universal and struck out on his own as a freelance actor. At last free from Universal, Chaney, with a proven body of work and his unequalled makeup skills, was able to negotiate his own rate.
Lon Chaney's first year after leaving Universal was a struggle, but he finally made a breakthrough when legendary Western filmmaker William S.
Hart cast him in 's Riddle Gwane. Starring opposite Hart as a dastardly cattle rustler, he received high praise for the role, catching the eye of moviegoers and critics alike.
The year after his star-making turn in Riddle Gwane , Chaney appeared in a role that would truly showcase his talents.
Based on a play, The Miracle Man features Chaney as Frog, a criminal capable of twisting his body to appear crippled. The New York Times praised the film and singled Chaney's performance out as a highlight.
To achieve the illusion of amputation, Chaney constructed a harness which held his lower limbs bent behind him at the knees. The effect was startling.
It also caused the actor considerable pain, intense lower back strain, and broken blood vessels. As Quasimodo, the grotesquely deformed bell ringer, Chaney underwent a grueling three-hour process to apply the elaborate makeup, which included a pound plaster hump attached with a leather harness which prevented him from standing erect.
The hunchback's lumpy facial structure was created using layers of cotton and collodion. An eye wart constructed with adhesive tape and nose putty and cut down cigar holders inserted in his nostrils completed the disturbing look.
Blake , Chaney's stake in the epic production was far more than originally assumed. Chaney had optioned the rights to Victor Hugo's novel and had been trying to secure funding long before the project wound up at Universal.
In , Lon Chaney starred in the role that would cement his reputation as one cinema's first masters of horror. A big-budget spectacle rivaling 's The Hunchback of Notre Dame , the film featured Chaney's most memorable creation.
Hewing closely to Leroux's description, Chaney's Phantom is cadaverous and ghastly, with hollow eyes, ruined nose, and a mouth pulled into a skull-like rictus.
To create Erik's deathly appearance, Chaney employed a combination of techniques , including traditional highlighting and shading with greasepaint and the cotton and collodion method he used to sculpt Quasimodo's features in The Hunchback of Notre Dame.
How Chaney achieved the effect of the Phantom's hideously upturned nose remains a point of contention among film scholars.
However, the modern consensus, backed by the account of cinematographer Charles Van Enger as cited by author David J.
Skal in his book The Monster Show , is that the actor used a contoured wire appliance concealed by putty and makeup to lift and flare his nostrils.
Universal kept Chaney's horrifying new creation under wraps, barring the release of photographs of the actor in makeup until the film's premiere.
The revelation of the Phantom in the film's famous unmasking scene proved a shock to contemporary audiences. As recounted by Nige Burton of Classic-Monsters.
In his pursuit of creating realistic characters for the screen, Chaney employed painful techniques to warp and alter his physical features.
Among the most radical examples is the harness he built to create the appearance of double amputation in The Penalty. According to LonChaney.
Only able to wear the apparatus for short periods, Chaney suffered broken blood vessels and required frequent massaging of his legs between takes.
The lengths to which Chaney would go for characterizations of deformity and mutilation, while often painful, have also been largely exaggerated over the years.
One famous example is the long-held assertion that the hump he wore for The Hunchback of Notre Dame was a pound piece of solid rubber. In fact, the hump was constructed of much lighter plaster and was closer to 20 pounds.
It gave him that feeling he wanted to have of a tortured creature. Lon Chaney's ability to radically transform himself for any role no matter how bizarre or grotesque made him a household name.
Ironically, as one of the most popular movie stars of the s, the Man of a Thousand Faces was notoriously reclusive. Claiming that " between pictures, there is no Lon Chaney ," the actor did not attend premieres and only rarely gave interviews.
Still, Lon Chaney knew the value of maintaining his myth. As recounted in a profile for PBS' American Masters , Chaney was once caught placing fallen baby birds back in their nest.
He begged a witness to this act of kindness to keep quiet, explaining, "I will never hear the end of it. Everyone thinks I am so hard-boiled! Lon Chaney's virtual anonymity also became part of his mystique.
Genre historian David J. Skal explains in his book The Monster Show: A Cultural History of Horror that a popular myth of the era proposed that Chaney used his natural appearance as a disguise.
The famed actor could be anywhere, perhaps standing right beside you, and you'd never know it. Conversely, he might also pop up as something not human at all.
A popular joke of the s, originally attributed to director Marshall Neilan as a lighthearted admonition to a studio workman, was a warning to avoid stepping on spiders, lizards, and other creepy crawlers because they "might be Lon Chaney.
While shooting the railroad melodrama Thunder on location in frigid Green Bay, Wisconsin, in March , Lon Chaney caught a severe cold.
Despite his sickness, Chaney, a consummate professional, continued to work. His sickness progressed into a case of walking pneumonia. Upon returning to California, Chaney developed a high fever.
Confined to his bed under doctor's orders, Chaney nevertheless quickly returned to work on the film. Although Chaney was well enough to complete Thunder , his bout with pneumonia left him weakened.
Complaining of a cough and throat irritation, Chaney consulted a physician about a tonsillectomy, hoping that the procedure might relieve his chronic symptoms.
Unfortunately, Chaney's illness was far more serious than a simple case of tonsillitis. Diagnosed with bronchial cancer likely caused by years of heavy smoking, Chaney remained well enough to complete his only talking picture, a remake of his film The Unholy Three.
Blake , the actor suffered a series pulmonary hemorrhages shortly after the film's premiere. After slipping into a coma, Lon Chaney died of a hemorrhage in his throat on August 26, He was 47 years old.
He returned as the Wolf Man in House of Dracula , one of the last of the Universal horror cycle. Pillow of Death was the last Inner Sanctum.
The Daltons Ride Again was a Western. Despite being typecast as the Wolf Man, the 6-foot 2-inch, pound actor managed to carve out a secondary niche as a supporting actor and villain.
He reprised his Wolf Man role to great effect in Abbott and Costello Meet Frankenstein but it did not cause a notable boost to his career.
In April Chaney went to hospital after taking an overdose of sleeping pills. Kramer told the press at the time that whenever a script came in with a role too difficult for most actors in Hollywood, he called Chaney.
One of his best known roles was a live television version [ unreliable source? He became quite popular with baby boomers after Universal released its back catalog of horror films to television in Shock Theater and Famous Monsters of Filmland magazine regularly focused on his films.
The series ended after 39 episodes. Universal released their film biography of his father, Man of a Thousand Faces , featuring a semi-fictionalized version of Creighton's life story from his birth up until his father's death.
Roger Smith was cast as Creighton as a young adult. He appeared in an episode of the western series Tombstone Territory titled "The Black Marshal from Deadwood " , and appeared in numerous western series such as Rawhide.
He also hosted the episode television anthology series 13 Demon Street in , which was created by Curt Siodmak.
He had one of his best later roles in Spider Baby , made in but not released until There was also horror, such as Dr. His bread-and-butter work during this decade was television — where he made guest appearances on everything from Wagon Train to The Monkees — and in a string of supporting roles in low-budget Westerns produced by A.
Lyles for Paramount. In , Chaney gained a chance to briefly play Quasimodo in a simulacrum of his father's make-up, as well as return to his roles of the Mummy and the Wolf Man on the television series Route 66 with friends Boris Karloff and Peter Lorre.
During this era, he starred in Jack Hill 's Spider Baby filmed , released , for which he also sang the title song. In later years, he suffered from throat cancer and chronic heart disease among other ailments after decades of heavy drinking and smoking.
In his final horror film, Dracula vs. Frankenstein , directed by Al Adamson , he played Groton, Dr.
Frankenstein 's mute henchman. He filmed his part in the spring of , and shortly thereafter performed his final film role, also for Adamson in in The Female Bunch.
Due to illness he retired from acting to concentrate on a book about the Chaney family legacy, A Century of Chaneys , which remains to date unpublished in any form.
His grandson, Ron Chaney Jr, was working on completing this project. Chaney was married twice. His first wife Dorothy divorced him in for drinking too much and being "sullen".
Chaney was well liked by some co-workers — "sweet" is the adjective that most commonly emerges from those who acted with, and liked him — yet he was capable of intense dislikes.
For instance, he and frequent co-star Evelyn Ankers did not get along at all despite their on-camera chemistry. He was also known to befriend younger actors and stand up for older ones who Chaney felt were belittled by the studios.
One example was that of William Farnum , a major silent star who played a bit part in The Mummy's Curse. According to co-star Peter Coe, Chaney demanded that Farnum be given his own chair on the set and be treated with respect, or else he would walk off the picture.
Chaney had run-ins with actor Frank Reicher whom he nearly strangled on camera in The Mummy's Ghost and director Robert Siodmak over whose head Chaney broke a vase.
Chaney died of heart failure at age 67 on July 12, in San Clemente, California. He was honored by appearing as the Wolf Man on one of a series of United States postage stamps depicting movie monsters.
His grandson Ron Chaney Jr. This is a list of known Lon Chaney Jr. Television appearances are listed separately. From Wikipedia, the free encyclopedia.
For his father, see Lon Chaney. American actor. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.
Unsourced material may be challenged and removed. Chaney in the trailer for Money, Women and Guns Oklahoma City , Oklahoma Territory , U.
San Clemente, California , U. Dorothy Hinckley. Patsy Beck. The Trap as Hands of a Boy uncredited Hand only [20]. One Million B. Terror's Gallery of Horrors as Dr.
New York Times. July 14, Retrieved 25 February
Hart 's picture Riddle Gawne that Chaney's talents Schöne Münchnerin a character actor were truly recognized by the industry. The studio demanded a length of no more than 12 reels. Raphael Praz [2]. In Welt Online Mobil, the couple had their only child, a son they named Creighton Tull. A Lon Chaney. Struggling in bit parts for years, his fortunes changed Tierdokumentationen Chaney reluctantly adopted his father's name. He lent his name to a cafe which was embroiled in a liquor scandal. As with many films of the time, black-and-white footage was tinted various colors to provide mood. Slide, Anthony. I almost worship the man.
ist mit der vorhergehenden Mitteilung gar nicht einverstanden