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Sondern dem Collector eine üppige, natürlich blutverkrustete Collection verpasst. Und dabei überführen. Spätestens dann , in Teil 3: The Collectables. Kaum zu glauben, aber das The-Collector-Franchise wird wiederbelebt! Filmfest in Köln sprach, bestätigte er, dass The Collector 3 weiterhin geplant sei. Zwei gruselige Trailer zu Insidious: The Last Key bringen uns ins. Wer sich mit der Reihe vorab noch vertraut machen will, schaut in den offiziellen Trailer des Erstlings, mit dem alles begann. Offizieller Trailer „.

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The Collection - Ending Scene (HD)

It is based on the novel of the same title by John Fowles , with the screenplay adapted by Stanley Mann and John Kohn. Director Wyler turned down The Sound of Music to direct the film.

Filming occurred in the late spring and early summer of Wyler's original cut ran approximately three hours but was trimmed to two at the insistence of the studio and producer.

Upon its theatrical release in June , the film received largely favourable reviews. Freddie is a lonely, socially-awkward young man who purchases a farmhouse with winnings he has earned from the football pools.

An amateur entomologist , he spends his time capturing butterflies , of which he has a large collection. Frederick begins stalking a bourgeois London art student named Miranda Grey.

One day, Frederick follows Miranda into a pub in Hampstead before abducting her on the street, incapacitating her with chloroform.

Miranda awakens inside the cavernous, windowless stone cellar of Freddie's 17th century farmhouse, which he has adorned with a bed, furnishings, clothing, painting tools, and an electric heater.

Miranda assumes she has either been taken for ransom or to be used as a sex slave , and insists to Freddie that her father is not wealthy.

Freddie explains he is not seeking sex or ransom; he explains that he and Miranda used to ride on the same bus years earlier in Reading and that he continued to follow her into London after she enrolled in art school.

When Freddie proclaims his love for Miranda, she fakes appendicitis as a ploy to escape but is caught. Freddie agrees that he will free Miranda after four weeks, an allotted period he believes will allow her to "get to know him".

Freddie gradually allows Miranda small luxuries, such as leaving the cellar to obtain sunlight and take baths in the house under his supervision.

When Freddie fondles her aggressively, Miranda tells him she will not fight him should he rape her, but that she will lose all respect for him. During one of her baths, Freddie's neighbour, Colonel Whitcombe, arrives at the house to introduce himself, resulting in Frederick gagging Miranda and tying her to pipes in the bathroom.

She floods the bathroom in an attempt to get Whitcombe's attention, but Frederick diverts him, claiming his girlfriend inadvertently left the tub running.

Freddie recurrently mentions one of Miranda's boyfriends, with whom he observed her socialising on numerous occasions.

He allows Miranda to write a letter to her mother, but discovers a small piece of paper in the envelope asking for help, and tears the letter apart in front of her.

During a conversation about art and literature, Miranda further alienates Freddie, who accuses her of being an elitist. He proclaims that they could never be friends in "the real world".

On the 30th—and allegedly final day of her captivity, Freddie prepares a meal in the house for Miranda, and gives her a dress to wear for the occasion.

Over dinner, he asks Miranda to marry him. She agrees, but Frederick senses her hesitation. She attempts to flee the house, but Freddie corners her in his study and chloroforms her before lying with her in an upstairs bedroom.

When she regains consciousness in the cellar, Frederick assures Miranda he did not rape her. He tells her he intends to keep her until she "tries" to fall in love with him.

After having a bath one night, Miranda unsuccessfully attempts to seduce him, but he senses her artifice and compares her to a prostitute.

When he escorts her back to the cellar during a rainstorm, Miranda seizes a shovel, with which she strikes Freddie on the head. Though wounded, Freddie takes advantage of Miranda's subsequent hesitation and manages to drag her back into the cellar and she accidentally breaks the electric heater just after their struggle.

Miranda remains locked in the cold cellar, soaking wet, while Frederick receives medical attention. He returns three days later to find Miranda ill with pneumonia and goes into town to get a doctor.

When Freddie returns, having changed his mind about a doctor, he finds Miranda dead. Freddie buries Miranda's corpse under an oak tree on his property.

A short time later, Freddie, convinced Miranda brought her fate on herself, again drives around, now stalking a young nurse in the hopes that he might have better success overall with a different sort of woman.

However, Terry Southern did an uncredited script revision for Wyler after the producers became unhappy with the book's original darker ending; they wanted Miranda to escape.

Southern's "happier" ending was rejected by Wyler. Director Wyler considered a number of performers for the two central roles of Freddie Clegg and Miranda Grey, around whom the film almost exclusively revolves.

More's scenes were ultimately excised from the final cut of the film. He works you to your peak. When it's over, you realize that you have done the best you could possibly do.

A journalist visiting the set during one day of filming noted: "The dialogue was tricky. The movement of the camera was difficult.

It was the kind of scene that rubs nerves raw and kindles outbursts of temperament. But not when Wyler's behind the camera. The doughty little director spent the entire morning rehearsing and then shooting the scene time and time again.

Stamp and Eggar were as meek and cooperative as neophytes. The original cut of The Collector ran for three hours. This resulted in the complete removal of 35 minutes of prologue material starring Kenneth More.

Wyler said, "Some of the finest footage I ever shot wound up on the cutting room floor, including Kenneth's part. Bosley Crowther of The New York Times wrote that Terence Stamp's character was "entirely mystifying and fascinating" at the beginning, but once it became apparent that nothing more was going to be learned about him "he tends to become monotonous, and finally, a melodramatic blob.

Scheuer of the Los Angeles Times wrote of the film that "if it is too clinical to touch any of the livelier emotions — the strongest one it can arouse is hope, and this is blasted again and again — it still manages to picque intellectual curiosity sufficiently to attract the art-house patron in search of the odd or offbeat.

Philip Kopper of The Washington Post called it "a fantastic film" that he thought was stronger than the novel because Wyler "removed many of the redundancies and collatoral elements.

Edith Oliver of The New Yorker panned the film as "a preposterous fake that pretends to deal seriously with psychopathic behavior but cannot be taken seriously even as a thriller.

It evokes no pity, no wonder, no horror, no suspense, no belief, and who cares how it comes out? On the other hand, the main body of the story comes over remarkably well.

In , Robert Berdella held his male victims captive and photographed their torture before killing them. Upon being apprehended, he claimed that the film version of The Collector had been an integral inspiration to him after seeing it as a teenager.

From Wikipedia, the free encyclopedia. The Collector Theatrical release poster. Jud Kinberg John Kohn. Terence Stamp Samantha Eggar.

Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits.

Alternate Versions. Rate This. Directors: J. Griffin , Billy T. Writers: Jon Allyn , J. Added to Watchlist. Joe Amberley Shaw Haley Cezara Gureu Venus as Chezara Gureu Jarrald Ingram Edit Storyline A young couple's hopes for a new future and to escape their druggie lifestyle hinge on a plot to steal from their drug dealing boss.

Taglines: Never judge a book by it's cover. Add the first question. Language: English.

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